flwyd: (step to the moon be careful)
Margot Adler passed away this morning, after living with cancer for 3½ years.

She is probably best known as a long-time reporter for NPR. Yet she is also one of the most recognized names in the Neopagan community, and introduced many of us to that world through her book Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and other Pagans in America Today. The book was published in 1979, a time when it was often difficult for people with minority interests to find like-minded people. In addition to cataloging the ideas and practices of a lot of different individuals and groups the book had an extensive section of contacts and resources, enabling the curious and isolated to plug in and learn more. The book was also an opportunity to educate outsiders: given a long history of Pagan persecution, most Neopagan groups in the 1960s through at least the 1980s kept a low profile. Since the Neopagans weren't telling their own stories in public, it was left to paranoid parents who watched Rosemary's Baby and fear-mongering evangelicals who conflate all non-Christian religious practices with Satanism. While Margot's book probably didn't make it onto Focus on the Family's bookshelf, it provided a non-sensationalist journalistic source that someone could point to which demystified the contemporary occult.

Margot used her three decades at NPR to share the stories of many other subcultures and marginalized groups, religious and otherwise. She approached her work as an educational conduit. Her stories didn't have a sensationalist bent with the unusual habits of a minority group used to titilate mainstream listeners, nor were they partisan promotions. Rather, she dove deep into the culture and brought their world view and social context to curious ears.

Margot was a frequent visitor to Boulder, attending CU's Conference on World Affairs 22 times. She came to CU in the fall of 2001 as part of the CWA Athenaeum speaker series. The main subject of her visit was journalism and her reporting on post-9/11 New York City. What neither she nor the CWA organizers realized was that CU's Pagan Student Alliance group was working through Drawing Down the Moon to learn about the history of modern Paganism. I managed to get on the list for the Athenaeum dinner and happened to choose a seat next to Margot's. She seemed a little surprised when I told her I was part of a group reading her book and asked about how the Pagan community had changed since the 2nd Edition was published in the late '80s. With true reporter skills she turned the question back to me and my perceptions.

At a CWA panel one year, an audience member talked about an African community she was involved with. She said there were people in powerful positions who used witchcraft as part of their trappings to remain in power and make decisions the questioner felt negatively impacted the village. She asked how she could bring up the negative effects and suggest change in a culturally-sensitive way. I remember Margot answering "Not all witches are wonderful" and suggesting that there were likely village members who were unhappy about the state of affairs and that they might be a good place to start organizing. This is what I love about Margot Adler: even though she was perhaps the most famous witch in America, she was really just a radical who happened to be a witch just as she happened to be Jewish and happened to be born in Arkansas.

I hope Margot's journey to the other side was the start of a fantastic new story. I'll toast her fondly in a week and a half as I dance and draw with Colorado's Neopagans.
flwyd: (pentacle disc)
My OKCupid profile lists my religion as "Other and laughing about it." In the "You should message me if..." section, I invited folks to ask what the "other" is and just what's so funny. [livejournal.com profile] lonelocust asked, and the answer got a bit lengthy. I figured the answer might be of interest to the public at large.

As for my Other... I am a polyathiest: I believe in the nonexistence of many gods. More broadly, I find value in religious practice, which is in large part a communal expression of metaphor. Because it's communal, we come to know and trust each other. Beacuse it's metaphoric, we have mental tools to handle events and situations in public and private life. But I don't mistake the metaphor for the real thing.

For instance, a ritual about Demeter and Persephone provides an opportunity for participants to reflect on changing seasons and harvests using the intimately familiar tools of human relations. So in one sense, I believe in these gods; I tell stories about them. But I don't think that Demeter lives atop Mount Olympus and personally oversees the annual changing of the color guard.

When asked, I typically identify as Pagan (by which I mean Neopagan). I practice with other Neopagans, ranging from an annual festival in the mountains with about 1,000 people to a group of about 10 that met privately two or three times a month during college. I like the attitudes of a lot of my fellow Neopagans and often feel an ecstatic connection to the world in Neopagan-styled ritual.

But I don't limit myself to Neopagan dogma. (It's an eclectic bunch, so there are several dogmae to choose from. And even though witches prefer cats, there's plenty of dogma around.) For one, I don't paint Christianity with a broad brush. A lot of pagans are (justifiably) frustrated with closed-minded relatives, xenophobic evangelists, a thick book where women play a minor role, and 2000 years containing crusades, witch hunts, and suppression of science. But they tend to conflate all Christian people, practices, and ideas under the same umbrella of negativity.

As a polyathiest, I can appreciate the artistic beauty of a cathedral while condemning the practices of the priesthood; welcome Jesus's teachings of love while challenging the focus on the afterlife; have a great time at a Blind Boys of Alabama concert while raising a disapproving eyebrow at lame rock about Jesus; acknowledge Christ's role in Martin Luther King's nonviolence while arguing with people who think war in Iraq is guided by God; appreciate the metaphors of birth, life, and death while being suspicious of the prevalence of sacrifice and savior metaphors in our culture's tradition. Like Joseph Campbell, I'm fascinated by the stories people tell and the rituals they perform, and I don't want a label for census purposes to prevent me from exploring something that might be interesting and fun.

So with an explanation that deep and intellectual, why am I laughing about it? Because I like to laugh about everything of importance. I like to make religious gatherings an opportunity for mirth and (ir)reverence. I include puns and jokes in quarter calls I write. I even led a ritual based on (and set to) Dark Side of the Moon when the new moon fell on April Fool's day a few years ago. And despite the high-level irony and humor of it, it turned into a very serious and moving experience for many of the participants. I also lead non-verbal rituals and excercises which can be both very playful and very serious. I laugh (often inwardly) when having fun, and if religion wasn't fun, I wouldn't do it. (People who practice religion without having fun typically do so because they think God wants them to do it that way. A God who's opposed to fun is a metaphor I choose not to participate in.)

This explanation is unedited and not particularly organized. I would like to write a more formal essay and post it on my website. In the mean time, I welcome questions and suggestions of points that could be clarified or expounded upon. Let's start spreading the term "polyathiesm," the belief in the nonexistence of many gods. I notice [livejournal.com profile] mollybzz is on the bandwagon. I think in many situations it's better than "pagan," since there's more in common between Dragonfest and an anthropology convention than a 5th-Century village outside the Holy Roman Empire.
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