flwyd: (mail.app)
Through an Internet rabbit hole this evening I was reminded of a big piece of Boulder business history and big (at the time) data processing.

As a kid, I was vaguely aware of a bulk mailing company called "Neodata" because (a) the Centennial Middle School computer club would occasionally feed students pizza while we organized Boulder Parks & Rec catalogs into big mail sacks that would go to every house in Boulder, and I think someone from Neodata was involved and (b) I'd noticed that subscription cards for Sesame Street Magazine had an address of "123 Sesame Street / Boulder, CO 80322", which was odd because I knew Boulder didn't have a Sesame St., so my mom explained that Neodata processed subscriptions for all sorts of magazines in Boulder and they had a whole zip code to themselves, so any street address could be used.

My rabbit hole led me to a lot of Neodata-related photos from the Boulder Carnegie Library for local history. I hadn't realized that Neodata's roots in Boulder go all the way back to 1949, when Esquire Magazine opened an office in Boulder to handle magazine subscriptions for Esquire and Coronet. (Yes, it took a whole building full of workers to handle subscriptions for a couple magazines back then.) Their original office was at 13th St. and Portland Pl., across from Casey Middle School. They later built a warehouse on Walnut east of 30th St., perhaps to make it easy to put mail bags on the train. (Based on this photo, it might be the building now occupied by The Spot rock climbing gym and the Brewers Association.)

In 1963, Esquire and The Nielsen Company created Neodata Services, Inc. to provide computerized magazine subscription services. They would've had some of the first computers in Boulder, and they were in town long before IBM. (The Bureau of Standards, now NIST, might've had an earlier computer.) Judging by the photos they might also have been one of Boulder's top employers for women in the 1950s. Fans of punch card systems, magnetic tape reels, and other old office technology will enjoy the collection too.

I hadn't heard anything about Neodata since some time in the 1990s. It turns out that they were purchased by EDS (the IT company founded by Ross Perot) and reorganized with several other EDS business units into "Centrobe" in 1997. A business profile in early 2000 notes that Centrobe processed 3% of all USPS mail and had offices in Louisville and Longmont; I think their Boulder office had closed. EDS was purchased by HP in 2007 and Centrobe got merged into Hewlett Packard Enterprise. I haven't been able to follow the trail further from the public Internet. Does HP still have a magazine subscription services department? Do they still operate in Boulder County?
flwyd: (copán ruinas stone face)
LiveJournal emailed me "What was on your mind 10 years ago?" because apparently #10yearschallenge is a social media thing. LJ then self-answered by quoting the post I wrote on Obama's inauguration day, "They Still Call it the White House, But That's a Temporary Condition" with links to thematic P-Funk and James Brown songs on YouTube (which are remarkably all still up and still have low-thousands of views, ten years later). The Obama administration was significantly less of a soul party than I'd been hoping, but that's a blog post for another day. My next post was on February 2nd to remind everyone of Shadow Boxing Day on February 3rd, a tradition I still try to keep.

I was already ahead of LiveJournal in the "What was I doing ten years ago" game, though.

I finally got the motivation to organize my decade and a half of digital photos into a modern web presence. This was instigated by Flickr's upcoming limits on free accounts now that they're part of small-internet-company SmugMug rather than we-somehow-still-have-loads-of-cash Verizon Oath neé Yahoo. [Ironically, the last time I was surveying the landscape of photo sharing options and wishing that Yahoo had invested in Flickr rather than letting it slide from "almost certainly the best online photo management and sharing application in the world" to "a social networking site for photographers that most people forgot about" several folks had suggested SmugMug.] After exploring the state of Flickr and reading the tea leaves about SmugMug's plans for the site, I realized that SmugMug itself was probably a better fit for "Here's all the interesting photos I've ever taken, organized into time and place" and a free Flickr account might be better suited to sharing photos I've taken that stand well on their own, distinct from a travelogue.

So thus it was that I found myself spending much of my January free time organizing fifteen and a half years of photographs. And thus it was that I noticed how much more focused on getting out and doing stuff I was in 2009.

Ten years ago this month I was working to improve the state of the entity name recognition code I'd written for Tyler-Eagle and handing it off to a coworker. I then quit my job (in the midst of the worst recession in over half a century, remember) to travel for two months in Central America, and hit three festivals and three national parks over the rest of the summer and then got a job at Google. And while it's easy to get nostalgic about that time you quit your job and spent six months having fun, the photos also provided evidence that even when I had a job, I spent more time hiking in the foothills, going for walks during the golden hour, snapping pictures of sunsets, and going to drum circles. Over the last nine years I haven't prioritized these as much, which made me sad. My social life over the last nine years has been dominated by work and Burning Man (and more recently climate activism), which are big and meaningful and fun, but also kind of exhausting. I need to change this.

I also got a feeling that the world is less fun than it was ten years ago, and not just because I'm in my late 30s instead of my late 20s. It feels like there's less cool stuff happening (though I don't use Facebook, which is probably where people find out about interesting events in the twenty teens). And the general sense of techno-optimism has turned into a collective future outlook of techno dystopia. I've long imagined running a Cyberpunk 2020 game in the year 2020. Now that we're almost there, I think it's interesting that the corporate dominance part of the story is more accurate than the technical advances that create the setting.

So hey, let's all remember some of the future we were hoping for in January of 2009 and see if we can't still create some of that.


Post script: Flickr was part of that techno-optimistic future vision ten years ago. Share your work with people around the world! Global search and discovery! Use a Creative Commons license if you want! Robust APIs and RSS feeds! Metadata and mashups! But then they missed the big future transformation: billions of people were about to have pocket computers with a camera and an Internet connection. Yet Flickr was stuck in a self-conception that most photos are taken by photographers because photographers are the primary users of cameras, so they didn't try to make a Flickr app that was "Almost certainly the best way to share what you capture with your phone." And they missed the insight that, for many people, who you share with is a more important axis than the media type you share. (I also suspect that MBAs at Yahoo! had already underallocated headcount to projects like Flickr with significant growth potential, so even if they'd seen this shift coming they would've been poorly resourced to adapt.)

LiveJournal also felt like part of that open techno future ten years ago. When I've occasionally gone LJ history digging, 2008/2009 seemed to be when LiveJournal hit its peak, at least in my friends network. I think most folks joined Facebook around 2009 and eventually stopped participating on LiveJournal by 2011. And the way Facebook has evolved is definitely not the optimistic techno future that I had in mind… though they'll make a good Megacorp in a Cyberpunk 2020 game.
flwyd: (currency symbols)
During Mitt Romney's concession speech, as he was thanking all his classes of supporters, he euphemistically said "job creators." Something about the way he said it gave me a flash of insight:

The political dialog about how to grow the economy and reduce unemployment has been largely focused around people who hire other people. But a political economic policy which focuses only on employers ignores the balance of economic activity. You can give all the corporate tax breaks and hiring incentives you want, but if there's no demand for the company's products, they're not going to create any jobs. In order to create American jobs, we need to foster an environment of a demand for products and services that Americans are best fit to provide.

Romney engaged in a lot of anti-China economic grandstanding during the election. Instead, China's vast stockpile of dollars could be a boon to American job creation if we can start selling more things that China wants to buy.

Both parties positioned themselves as in favor of private sector "job creators." Yet government has an immense role to play in job creation. Most directly, government hires a lot of people. The Department of Defense is the world's largest "job creator" with over 3 million employees and probably hundreds of thousands of indirect contractors. Government also creates jobs indirectly. Changes in regulation can increase or decrease demand for products and services. Strong public health leads to more productive people with more disposable income. Transportation projects help get products to places where people want to buy them. Taxes and government regulation can get in the way of economic growth and job creation. But so can reckless cuts to taxes (and therefore government activities) and regulation. When you consider the balance of supply and demand, even prisoners are job creators: by locking up millions of our citizens, we create jobs for tens of thousands of prison guards.

There's a final irony in the focus on job creation. The default political view is that the United States is no longer a manufacturing leader. In fact, the U.S. makes and exports more stuff than any other country in the world, including China. But in the last 40 years or so, American manufacturing has become very automated. A couple people and a few complicated machines today do the work of a thousand factory workers in the 1960s. Neither a hiring incentive nor a corporate tax break will lead to the factory rehiring all 1000 people: there wouldn't be enough for them to do. In many industries, "job destruction" has led to major gains in productivity and profit.

The contradiction of modern America is that we're an incredibly prosperous nation with an uncomfortably high unemployment rate. Our first challenge is to find a new way to productively engage millions of people. Our second challenge is to structure society such that you don't have to keep busy just to keep alive. In the 20th Century we learned that everyone can eat even if most people aren't farmers. In the 21st Century we need to learn how to help everyone thrive even if robots and programs do most of the work.
flwyd: (Trevor glowing grad macky auditorium)
Key takeaways from Intuition, Technology, and Communication at The 2010 Conference on World Affairs.

Intuition is a human skill for coming to a conclusion given all the varied data we've gathered. Technology provides us with a lot more data so hopefully humans can have better intuitions. For instance, a human with a laptop and a chess program can beat a chess supercomputer that a human alone cannot beat.

Intuitions are often culturally conditioned. American intuition when the phone rings is to answer it. Russian (Soviet?) intuition when the phone rings is not to, because it's probably someone who wants you to fix something.

The most useful recordings for building Roger Ebert's new TTS voice were commentary tracks from DVDs. Future movie commentaries will literally be recycled from his old movie commentaries.

There are TTS systems that let you add markup for inflection, but it makes typing even slower, you'll far further behind in the conversation. What if there were Unicode characters that indicated sense and emotion? ;-) is okay at indicating irony and ALL CAPS can do emphasis, but there's a lot more nuance that could be added.

Some of the best writers are lousy face-to-face conversationalists.
flwyd: (spam lite)
Which is weirder? You can buy a taser that plays mp3s and an iPod-integrated George Foreman grill. And you thought you had to jog in order to listen to music and cut fat.
flwyd: (Trevor shadow self portrait)
Thanks to [livejournal.com profile] slyviolet for alerting me to a wearable I Ching hexagram generator. I wonder if I could convince them to make a hat...

Active Listening

Wednesday, December 5th, 2007 05:52 pm
flwyd: (bad decision dinosaur)
I've had the same cheap pair of earbud headphones at work for almost four years. Every day I bring 8 CDs to work and can often gauge my productivity (or at least the level of external distractions) by how many I listen to through the course of the day. As I'm lost in thought or plowing through code, I often chew on the wire leading to the right earbud.

Today, all that chewing has crossed a threshold. When I started listening to music, only the left channel came through. I found that I could usually jostle the wires a bit to get the right channel to come in, but if I left the wire hanging, my arms would soon bump it and the right would cut out again. But if I put the right wire in my mouth, when it cut out I could usually fiddle with it between my tongue and teeth to bring the music back. So the likely original source of the problem is also the easy solution to the problem!

On a related note, does anyone know how to set the balance of audio output using ALSA? GNOME doesn't seem to provide a setup view to do it and the ALSA command-line and ncurses interfaces don't seem to give me the ability to balance all the way to the left.

But Why?

Wednesday, November 14th, 2007 05:39 pm
flwyd: (bad decision dinosaur)
A fiendishly clever pun is now the title of my friends' page: Voyeurs to the Center of the Navel.

Maypole syrup would certainly be an aphrodisiac. Practice safe eating, always use condiments.

And in case that's not worthy of a post in itself, Slashdot brings us this article:
Patent documents for the design describe it as notches "formed in a road surface so as to play a desired melody without producing simple sound or rhythm and reproduce melody-like tones".

There are three musical strips in central and northern Japan - one of which plays the tune of a Japanese pop song. Notice of an impending musical interlude, which lasts for about 30 seconds, is highlighted by coloured musical notes painted on to the road.

Unless a pop song has the genius of, say, The Beatles, its life expectancy is far less than a highway. So this is a highway project which is mildly amusing for a few years at 28 MPH with windows up and thoroughly annoying in all other situations. Don't the Japanese have world-domination robots to be building, or something?

And it's not too early to get your Cthulhu for President 2008 merchandise. Why vote for the lesser evil?
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